How to Set up a Remote Camera, Step-by-Step

Scott Kelby, Editor and Publisher of Photoshop User Magazine, training director and instructor for the Adobe Photoshop Seminar Tour, President National Association of Photoshop Professionals (NAPP), CEO of Kelby Media Group, author of a string of bestselling technology books. Conference Technical Chair for the Photoshop World Conference & Expo, author of numerous Photoshop training DVDs and online courses, and co-host of PhotoshopTV, and "The Grid"
did a quick video that takes the viewer through the step-by-step process of setting up a wireless remote camera — ideal for sports, for weddings, or anywhere where one can’t get a camera, or can’t be at two places at once.

How to Set up a Remote Camera, Step-by-Step -- it's easier than you'd think ... check it out

http://scottkelby.com/2013/how-to-set-up-a-remote-camera-step-by-step-its-easier-than-youd-think/

Japanese Samurai

© Christine Till

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Canon 200-400mm f/4 IS Exclusive Preview

Whatever one might think about Canon's product strategy, they never let us down when it comes to innovative, interesting and hugely useful new lenses.
One such is the still-to-be released Canon 200-400mm f/4 IS, a critical focal length range that has been a Nikon exclusive for some time now. But Canon has upped the ante this time with a built-in 1.4X teleconverter.
Find out about this exciting new lens with an exclusive video review by Joshua Holko, published here today for the first time.

Cobra Rose

© Christine Till

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Lens Review - Canon EF 35mm f/1.4L USM

Canon EF 35mm f/1.4L USM features 35mm at focal length with maximum aperture of F/1.4. The lens construction has 11 elements in 9 groups and has diagonal angle of view at 63°. Focus adjustment: Rear focusing system with USM, Closest focusing distance at 0.3m/1 ft and has a filter size of 72mm. The Canon EF 35mm f/1.4L USM lens weighs 20.5 Ounces and it measures 3.1 inches in diameter and 3 inches long.

SLRGear reviews the Canon EF 35mm f/1.4L USM and writes;
“Chromatic aberration is modest, geometric distortion is low, at only 0.26% barrel distortion, and even shading (more commonly called vignetting) isn’t too bad, at 0.44 EV, once again decreasing rapidly as you stop down, dropping to less than 1/10 EV from f/2.8 onward..”
Rating:
Lenstip reviews the Canon EF 35mm f/1.4L USM and writes;
“Canon EF 35 mm f/1.4L USM, as befits a professional top range lens, is equipped with a quick, silent ultrasonic motor. It is exactly as it should be – it works noiselessly and with lightning speed as it needs less than 0.5 second to travel from the minimum focus to infinity. The accuracy is also very good. In the studio we got a 4% margin of error on both bodies. What’s interesting, we noticed a very slight but nonetheless perceptible tendency to frontfocus by f/1.4.”
rating: N/A
Ephotozine reviews the Canon EF 35mm f/1.4L USM and writes;
“As you would expect from a prime lens, especially one with Canon’s famous L suffix, the optical performance was good. You will see from the chart that a gentle curve is achieved with no wild jumps from one stop to the next, always the sign of a well-produced lens. “
rating: N/A
SLRLensreview reviews the Canon EF 35mm f/1.4L USM and writes;
“In the f/1.4-f/2 range border performance is pretty mediocre, but by f/2.8 it reaches more or less decent levels and by f/5.6 becomes exceptionally good. Center performance, on the other hand, is very solid straight from f/1.4.”
rating: N/A
Wlcastleman reviews the Canon EF 35mm f/1.4L USM and writes;
“The EF 35mm f/1.4 L lens has significantly better sharpness (resolution and MTF) from f/2 to f/4 than the EF 35mm f/2 lens. Corner sharpness is very good if stopped down. The EF 35mm f/1.4 L is an excellent fast lens for wide field astrophotography and performs optimally at f/2.8. It is also a fast focusing lens when used for general photographic purpose. Performance is excellent at f/2 for non-astro photography.”
rating: N/A
Photozone reviews the Canon EF 35mm f/1.4L USM and writes;
“the resolution figures are exceptional and among the best tested so far. Typical for ultra-large aperture lenses vignetting is a little on the high side at wide-open aperture even on an APS-C DSLR but the issue remains correctable via imaging tools and stopping helps to resolves the issue if needed. “
Rating:
The-digital-picture reviews the Canon EF 35mm f/1.4L USM and writes;
“Low available light portraits and other similar casual and formal shots are probably the use for which the Canon EF 35mm f/1.4 L USM Lens’ shines brightest. Shooting under available light indoors after dark with the camera handheld is usually possible with this lens. The relatively wide focal length paired with a very fast f/1.4 aperture makes the Canon EF 35mm f/1.4 L USM Lens a very good handheld indoor (without flash) lens. “
Rating:

Source: Digital Photography Journal

Ride Utah - Christine Till

© Christine Till

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Will the next smartphones measure in ultrapixels?

Will the next smartphones measure in ultrapixels?
dpreview.com reviewed the HTC One X last year. The Taiwanese hardware maker is expected to announce groundbreaking mobile photography technology at its press event in New York City on February 19.

If early tech blog reports ring true, HTC's much-anticpated "M7" smartphone, expected to be revealed at press events to be held in New York City and London on February 19, may seriously be worth the excitement.
According to Pocket-lint, HTC will forgo a previously-speculated (and presumably conventional) 13-megapixel sensor for three, 4.3MP sensors to achieve a stacked "ultrapixel" sensor.
Although we don't know what this means  - sensors aren't transparent, so you can't simply 'stack' three on top of one another - it is just possible that HTC is planning on using a sensor similar to the Foveon  imagers used in Sigma's line of DSLRs and large-sensor compact cameras. While traditional Bayer sensors work by capturing information for just one color (red, green or blue) at each pixel location, and then interpolating that data to make true color, in a Foveon sensor, every pixel captures a true color because the red, green and blue filters are stacked above the light-gathering photodiodes.

Read more: http://connect.dpreview.com/post/5626969140/smartphones-measure-ultrapixels

Winter in Canada - Christine Till

© Christine Till

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Nikon 1 J3 Digital Camera First Look

Nikon 1 J3 Digital Camera First Look Preview at CES 2013

Arrival of the J3 builds on the still relatively new J2 with a new sensor

With the Nikon 1 J2 announced only back in August last year, Nikon has quickly added to the J-series range with the arrival of the J3.

It's £509 with the J3 and 10-30mm kit likely to cost £579.99.

Check it out: http://www.youtube.com/watch?v=UhSqqBlZKHw&feature=youtu.be

Picture of the day:

Mountain High - Salt Lake UT
© Christine Till

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Photo Contest 2013: "Pockets!"

Pockets are "handy" parts of our garments. They can be quite useful in holding everyday objects such as car keys, wallets and loose change. Pockets can be spotless and empty or they can be stuffed and cluttered. Much information about ourselves is concealed within our pockets. PictureCompete is seeking the most interesting and unusual look inside pockets.

Eligibility: International, 18+

Cash prizes:

• First Place: $150 (USD)

• Second Place: $75 (USD)

• Third Place: $50 (USD)

All winners will receive:

• Winner's gallery exhibition

• Social media exposure

• PictureCompete™ newsletter exposure

Entry Deadline: February 21, 2013

For more details please visit http://picturecompete.com

Cannes - Le Suquet - France - Christine Till

© Christine Till

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Art Support

http://art-support.com/

Art Support was created for fine art photographers, however it's useful to anyone interested in selling artwork. If you're interested in the business of art, this site is for you. Fine art photographers will find Art Support to be a very valuable online resource, so will collectors of photography.

Art Support features articles about the business of art and photography, tips on selling art, pointers on how to exhibit art, and ideas on how to promote and market artworks. There's information about artist copyright, artist grants, photography events, photography magazines and much more. You'll also find the most up-to-date listing of photography galleries, museums and non-profit photography organizations on the Internet.

Art Support's products and services are designed for photographers. However, all artists, art galleries, art consultants, private dealers and artists reps will benefit from what Art Support offers and provides. Art Support's goal is to help artists become successful in selling their artwork. Make sure that you visit the section on artist business forms, and look at Art Support's art and photography bookstore.

Image of the day:

Pillars of light - Antelope Canyon AZ - Christine Till

© Christine Till

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